Marilyn Bishop’s Art Blog features watercolor on paper, using monotype, rice paper plus collage and experimental techniques for social commentary, spiritual themes, typical images and more.
The painting on the left is titled "Orchard Path" and the other is a small pastel completed plein aire in an apple orchard.
I have long admired the work of Wolf Kahn, known for his pastels and oils and I have followed his process of using small on-site creations to create a larger painting in acrylic with pastel accents.

Here are two art works from the same beginning. On the top is a diptych watercolor monotype of yellow beets with abstracted leaves and background. On the bottom is a quilt designed by tracing the shapes from the monotype and arranging them on cloth. Leaves were also traced and attached. The quilt layers were quilted and then embellished using gold foil and beads.
These two watercolor paintings were created from memory of a day in Venice. Each was painted by first laying down color and texture. From that background, the images were painted by using "negative" painting--painting with darker color to allow some shapes to stand out. Line was added later. The one above is "San Marco Memory" and the one below is "Ponte" which means bridge.




The Beets series of monotypes came after a visit to a Chihuly exhibit. Dale Chihuly, the famous glass artist, also paints energetic art filled with color and action. These paintings were inspired by his work although my work is more representational. The "Yellow Beets" diptych was created by laying two plates next to each other and painting them as one plate. Each was then printed individually and mounted later together as one piece. The other prints are titled "Red Beets" and "Blue Beets" respectively. I also designed and sewed a small wall hanging using the design in the "Yellow Beets" diptych.
"Zoo Blooms and Cockatoo" is my third art quilt. Created after a tour of the Cincinnati Zoo tulip display with my husband and son. The bird was a separate photo which I loaded into my computer and then printed it onto fabric. After trimming the extraneous background, I fused it onto the previously fused fabrics. The black and white image is the back of the quilt which shows the machine quilting better. The next image is a close-up of the stitching on the quilt.

